As Scotty Phillips says: "Fred Forever"!
As Scotty Phillips says: "Fred Forever"!
Hello there, Pfeiffer Pfanatics!
All 13 of Fred's Doc Savage paperback covers are now available on high quality mugs from www.FantomPress.com.
Go check 'em out.
The more you buy, the lower the price gets. And if you buy all 13 at once, you will also receive a special mug with a different mockup of The Stone Man!
Doc Savage fans know that The South Pole Terror book #77 art was used again on The Stone Man #81. The Bantam Book from September 1975 called "50 Strange Stories of the Supernatural" had Pfeiffer art that resembled Doc Savage. It was my theory that when Bantam ceased production on Doc Savage books in early 1975, maybe Pfeiffer had a Doc Savage painting ready, and was altered and used instead on "50 Strange Stories". I had asked Bantam Art Director Len Leone why the cover art was used twice, and he did not know, but also said "That shouldn't have happened!"
These mugs are magnificent!
Today is the 30th anniversary of Fred Pfeiffer's death on 01-04-1996.
Thinking of him, his family, George Ladas, Jerry Counihan, Len Leone, Bob Larkin, Rob Weilert, Linda Pfeiffer Hill, Hollis, Rae, Scotty Phillips and wishing them peace and continued fond thoughts of Carl Frederick Pfeiffer Jr.
Fittingly today, I started re-reading the Doc Savage story "The Metal Master" which Fred did a magnificent cover for the Bantam paperback.
That's Fred at top left in white shirt, taken at Art Center School in Los Angeles 1963. Photo from George Ladas
Today, July 14th, is Fred Pfeiffer's birthday. Born in 1940, he would have been 85 today!
Exciting news as an art exhibition is currently on display at Baylor University in Waco, TX including a piece of original art by Fred Pfeiffer.
https://martinmuseum.artsandsciences.baylor.edu/exhibitions/current-exhibitions/clickbait-treasure-trove-pulp-fiction-cover-art
Sex, war, communists, cowboys, and killers. What do these all have in common? With the advent of cheap, mass production of books and magazines, these shocking subjects dominated popular American literature in the mid-20th century. Pulps, named after the inexpensive wood-pulp paper that was used to print on, became a genre of its own by luring millions of readers and dominating the paperback book market with a low price and covers featuring scenes of graphic violence, mystery, and scantily clad heroines.
Although it was the gritty and racy stories that kept readers buying the books…
Cover artists had a rather different, and challenging job- transforming pulp authors’ words into visually dynamic scenes that would grab potential readers’ attention and entice them into making a purchase. Many cover artists were formally trained, and more specifically, developed their artistic skills by working directly from the live, human model and the natural world. Utilizing formal elements such as dynamic perspective, busy compositions, and vibrant, contrasting color, cover artists skillfully created dazzling scenes that distracted potential buyers from the poor quality of paper used to publish pulp books.
As pulp fiction became more popular, publishing houses began to pop up, and the demand for cover artists became greater. Consequently, the competition among publishers and artists got tougher, the stories and accompanying cover art became racier, and more controversial, thereby raising the pulse of both the readers and the censors. This combination of over-the-top visuals and startling descriptions served as analog clickbait for a potential buyer.
The artwork featured in this exhibition, are part of the archives of the Department of Art & Art History, and the Martin Museum of Art at Baylor University. Although not all pieces included in this show have an artist’s signature, below is a list of identified artists:
Hunter Barker
David Palladini
David Blossom
Julian Paul
Richard Harvey
Raymond (Ray) Pease
David McCall Johnston
Fred Pfeiffer
Ron (RH) Lesser
Art Renshaw
Saul Levine
Harry J. Schaare
Joseph Rudolph (Rudy) Nappi
Sydney (Syd) Shores
Victor Olson
Jack L. Thurston
While I can appreciate the stylized badge cut-out of the illustration, I wish we could see the entire painting. A very Doc Savage-like action painting.
It has been a long dry spell of finding a new Pfeiffer, and this one is a beauty!